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CARTOGRAPHY
of places, people, and perspectives
CARTOGRAPHY

“The real voyage of discovery consists not in seeking new landscapes but in having new eyes.”

- Marcel Proust

What does it mean to ‘represent’ landscape?

This unit was about understanding perceptions and perspectives that influence one’s ways of seeing and then learning how to do composition in order to capture and depict the landscape. This was done by delving deeper into ways of seeing and recording the streets of a neighbourhood and the people, processes, structures, relationships and practices that are characteristic of those streets. The density of the street imagery, with the richness of stories hidden behind those, generated an overwhelming visual and spatial collage. Cultural references were required to understand the signs and signifiers. The idea was to bring in cultural references by observation and interactions with the people there. 

Mapping was used as a means to make the complex accessible, the invisible visible and a way of sensemaking.

Photography was used as a medium to see, record while questioning one’s own assumptions and biases.

PEOPLE. PLACES. PATTERNS. PERSPECTIVES.

Cartography was also used as a method of making one’s and someone else’ thinking visible, in alignment with the idea that ‘to design is to invent strategies for visualizing information that make new interpretations possible.’ Maps hence were considered to be ‘powerful abstract, synthetic, spatial representations’. The students immersed into how different kinds of ‘maps’ work, how meaning is derived from maps and how meaning is embedded in the construction of maps. 

The unit, facilitated by Sudebi Thakurata and Mahesh Bhat, had several components of exploring ways in which the many representational choices inherent in mapping interacted with information processing and knowledge construction. Through the processes of decoding the mapped information, it was further explored, how the resulting insights can be used to make informed symbolization and design decisions through nonverbal and multicultural communication. Maps were viewed from multiple perspectives as documentation, as representation, as portrayal, as graphic communication---as to how people view the world. The value was not in the accuracy of the maps but the act of mapping as a powerful process of documentation of historical, sociological, artistic or geo-political importance.

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EXPLORE AND

EXPERIENCE

COLLABORATION

IDENTITY
MOVEMENT
PERSPECTIVE

JOURNAL as JOURNEY

In parallel, students documented their journey in hand-made journals. The form of journal symbolises the creator's learning process. The journals use paper-folding techniques to incorporate layers and dimensions, reflecting the complexity of the students' journey of learning in art and design.

Browse Journals

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